Baur, "The Armour Kelebe," Bulletin of the Associates in Fine Arts at Yale University 7 (1936): 10–11. (New Haven, Conn.: Yale University Art Gallery, 1975), 61–63, no. Matheson and Jerome Jordan Pollitt, Greek Vases at Yale, 1st ed., exh. Beazley Addenda: Additional References to ABV, ARV2 and Paralipomena, 2nd (Oxford: Oxford University Press, 1989), 262.Thomas Mannack, The Late Mannerists in Athenian Vase Painting (Oxford: Oxford University Press, 2001), 17–19.Matheson, Corpus Vasorum Antiquorum, Yale University Art Gallery I (Mainz, Germany: Verlag Philipp von Zabern, 2011), 9–10, no. "Antiquities at the Hood," Hood Museum of Art Quarterly 31 (Spring/Summer 2011): 2, ill.Essi Ronkko and Hood Museum of Art, "Hood Museum," (accessed June 2011-July 2021).1903–1990), New York, by 1950s The Ian Woodner Family Collection purchased by MFAH, 2003.Įxhibition History "Patrons Choice: The Silver Anniversary of The Museum Collectors, The Museum of Fine Arts, Houston," September 18, 2004–January 30, 2005. The other side of the column krater depicts a woman standing between two youths. Hermes, messenger to the gods, walks to the left but looks back to the right. Iris extends her left hand toward Hera, who grasps it in her own hand. On the front, Zeus and Hera-king and queen of the Olympian gods-are seated on either side of the winged goddess Iris, who pours an offering from a jug called an oinochoe into a dish called a phiale, held by Zeus. The primary characters are important deities from Greek mythology. It is exceptional for its size, its beautifully balanced composition, and the finely painted figures. This large ceramic vessel, called a column krater, was used for mixing water and wine. Annual Report and Financial Information.Anne Wilkes Tucker Photography Study Center.
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